Two shocking murders—one of a nurse, the other of a doctor—unveil whispers of a deeper, more sinister conspiracy within Norway's healthcare system.
About Impenitent
About Stéfano Castellanos
LGBTQ+ Scriptwriter | Observer of Silence | Fiction From the Margins
I’m Stéfano Castellanos, a storyteller who writes from the edges—of towns, of communities, and of experience. My work is rooted in lived truth, transformed into fiction that speaks to the complexities of identity, intimacy, and resilience. I create characters drawn from observation, often shaped in quiet moments most people overlook. I don’t chase the spotlight or the crowd—I live in a small town where not much happens, even when you try. But that stillness has taught me to listen deeply and write what others often silence.
In my scripts, you’ll find LGBTQ+ stories that aren’t sanitized or staged, but unapologetic, layered, and emotionally charged. I write because it’s the only way I can fully participate in the world—and maybe, in doing so, help others feel seen.
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Impenitent
Pitch for
1.
Logline:
After the brutal murders of a nurse and a doctor, a hidden
conspiracy within Norway’s healthcare system is revealed.
Military Police Profiler Mikael Sturla Evensen must navigate
complex personal connections, a media scandal, and foreign
accusations to uncover a shocking truth.
2.
Synopsis:
opens with the unsettling murder of healthcare
Impenitent
professionals and dives into the dark underbelly of Norway’s
healthcare and transplant system. The investigation unfolds
with MP (Military Police) Mikael Sturla Evensen at its
center, as he uncovers deeply rooted corruption in transplant
allocation, entangled with foreign political tensions and
personal motives. As Belarus accuses Norway of a cover-up,
the plot explores themes of betrayal, morality, and justice,
making it a profound look into how personal and professional
lines blur under extreme circumstances.
4.
Emphasis on LGBTQ+ Themes:
, an LGBTQ+ character with a transgender background,
Camilo
represents the often overlooked experiences of LGBTQ+
individuals facing systemic bias, especially in healthcare.
His scars—both physical and emotional—tell a story of
survival and resilience, adding a layer of personal depth and
relatability.
5.
Visual and Narrative Style:
The series is grounded in a dark, Nordic noir atmosphere,
with haunting visuals of Norway’s landscapes juxtaposing
natural beauty against the sinister plot unfolding. The
storytelling is meticulous, with an emphasis on dialogue and
character-driven scenes that reveal layers of the mystery
gradually.
6.
Co-Production Potential:
is ideally suited for co-production due to its
Impenitent
Scandinavian setting and international themes. The story’s
cross-border appeal lies in its universal exploration of
corruption, identity, and resilience, making it a promising
candidate for European audiences and beyond. With themes that
resonate globally, this project offers high co-production
2.
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potential for partners interested in socially conscious,
LGBTQ+ inclusive narratives.
Dear Readers:
Unauthorized duplication of any part of this script, whether
electronically or mechanically (including photocopying,
recording, or any other method that could facilitate plot
development or production), is strictly prohibited without
the express written consent of the author. All registered
intellectual property rights belong to Stefano Castellanos TV
Scripts Site.
Sincerely,
Stefano D. Castellanos M. (Content Creator for Impenitent)
IMPENITENT (DRAMA)
__________________
Created by: Stéfano Castellanos.
When nurse Paul Nilsen and Dr. Erik Vognild are brutally
murdered, a shocking conspiracy within Norway's healthcare
system begins to surface, centering on the unfair selection
of transplant recipients. Military Police Profiler Mikael
Sturla Evensen leads the investigation, uncovering a personal
connection to one of the victims that shakes him to his core.
As District Chief of Police Kunaq Bakken discreetly conducts
her own inquiry, the two must join forces to expose the
truth. Meanwhile, Belarus seizes the opportunity to accuse
Norway of a heinous cover-up, further intensifying the
scandal.
OPENING INTRODUCTION
THE FIRST MAYFLY EMERGES. THOUSANDS SWARM TOGETHER LOOKING
FOR A MATE OVER A BROOK, WHICH IN TURN ATTRACTS AN ARMY OF
PREDATORS. FROGS, BIRDS, AND SMALL SNAKES. THE FAUNA INDULGES
IN THE YEARLY FEAST.
EP 1. UNSETTLED (PILOT)
1. CLEANSING 2014 - REMOTE IN THE WOODS
It is pitch-dark. A woman covered in mud and blood moves
through a roaring waterfall. The naked woman emerges clean
and intact and swims to the other side, where a man covers
her in a white robe. There are flickering torches along the
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way to where a recently exsanguinated brown bear hangs. The
bear's heart is beneath it on a silver platter. She grabs it
and eats the fresh organ in many large gulps. Another woman
approaches. She wears a green robe.
WOMAN IN SILVER ROBE
Welcome back, empowered by the bear's
strength, you've been restored to your
pure essence. Heil to the masters.
WOMAN IN WHITE ROBE
Heil to the masters.
2. ASH TREE, KOPPANG
Sturla Evensen (34) finishes filling the hole under the
flowering ash tree. He drops the shovel, puts his shirt back
on, and picks up an urn from the ground.
MP EVENSEN
I'll bury them so deep the ants won't
find them. I promise you.
3. THE CABIN - JEVNAKER
ALARM goes off. Camilo wakes up, he turns it off.
CAMILO
Seriously, when are you getting rid of
that old clock?
Liam makes breakfast.
LIAM
Morning! Meds and water to your left.
CAMILO
ugh, everything hurts.
LIAM
Come eat.
Camilo notices the pills on his nightstand.
CAMILO
Oh! My daily wish.
LIAM
Irish Breakfast? or me?
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CAMILO
(Camilo counts the pills) What's the
extra one for?
LIAM
To help you relax.
CAMILO
I smell real bacon.
LIAM
Irish bacon.
Camilo gets up, adjusts his robe, and heads to the table,
sunlight revealing the scars on his chest and abdomen. Liam
notices the bruises.
LIAM
Plus oatmeal, the true Irish original.
Liam sets a plate in front of him. Camilo grabs some bacon.
There is an envelope in front of him.
CAMILO
What's in the envelope?
LIAM
A note from your late father.
Camilo scans the note aloud.
CAMILO
Siempre: Amor del bueno, platica en la
cuenta y no deudas. XO, Pappa.
Camilo rushes to the stove, heating the note to reveal:
Camilo hands the note to Liam.
"Arthur McCoy 2.6B-511810."
LIAM
Arthur is in Oslo tomorrow but only a
few hours.
Liam pours some stout, Camilo takes it from him. Drinks it
and hands it over to Liam then eats.
CAMILO
How much?
LIAM
2.3 bees.
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CAMILO
Reason enough to want to kill me?
LIAM
Plenty.
CAMILO
Eat we leave in one hour.
4. EXT. RECYCLING CENTER – EARLY MORNING NEAR TRYSIL
The massive recycling center is filled with the noise of
machinery and the hum of early-morning activity. Among the
towering piles of scrap. A POLICE OFFICER stands over a body,
carefully filming the evidence. The body of an elderly man is
uncovered from the debris, his frail form only wearing female
underwear. Forensics carefully place him on a clean surface
to examine. Chief Meyers approaches.
MEYERS, ASSISTANT CHIEF.
Do we know who he is?
From deeper in the rubble, a forensic assistant shouts.
MARIO, FORENSIC ASSISTANT
No wallet!
The Chief of Forensics yells to her people.
VIRNA MATEYS.
Let's bag him!
A black sedan is parked on the uphill side of the center, a
quiet presence amid the chaos. (Meyers glancing at the sedan,
then back to the forensics crew):
MEYERS, ASSISTANT CHIEF
Is he one of ours?
Virna, checks her tablet, glances up and answers.
VIRNA MATEYS
It's registered to an MP Evensen.
MEYERS, ASSISTANT CHIEF
(eyes narrowing): MP? As in military
police?
VIRNA MATEYS
(nodding):
Right. And quite the looker
too. He just rolled down his window.
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MEYERS, ASSISTANT CHIEF
(sighing, a slight shake of his head):
OK. Send that to Kunaq. I’ll meet you
at the lab.
Meyers turns and walks away, his mind already racing to make
sense of the connection. Virna calls out to her crew.
VIRNA MATEYS
Alright, people! Pack it up!
The scene is wrapped up with the team moving efficiently as
the camera lingers on the body, hinting at the unraveling
mystery ahead.
5. CAR TRIP -LIAM AND CAMILO - BEAUTIFUL NORWAY.
Liam and Camilo drive through a very gorgeous landscape. They
drive a jeep.
CAMILO
All I remember is the last part.
LIAM
That is always a good place to start.
If you want.
CAMILO
He said his name was Jane.
LIAM
Wayne.
CAMILO
I guess. He fixed the railing.
LIAM
I am sure he did. What happened to it?
CAMILO
It broke.
CAMILO'S MEMORIES:
A bloody big man falls off the second-floor balcony, breaking
the railing before hitting the ground.
BACK TO PRESENT
Liam slows down.
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LIAM
Let's make a stop.
CAMILO
Up there. I want to jump in the cold
water.
6. MILITARY POLICE HEADQUARTERS - OSLO - DAY 09:45
Sergeant Broch enters the meeting room, where three high-
ranking officers await. A file is handed to him by an MP
soldier.
PRIVATE
Sir. This just arrived.
Broch takes the file and quickly scans its contents.
E-4 SPECIALIST BROCH
We've identified the buyer. That is
all we need.
SERGENT OLSEN
Who's the buyer?
E-4 SPECIALIST BROCH
Finland.
SERGENT PEDERSEN
Our tactic is straightforward. Finland
needs to get its head out of its ass
and find out where the rifle went.
SERGENT HANSEN
Do we know more about the Nurse in
Bergen.
E-4 SPECIALIST BROCH
What else is there to know? He got
shot! Let the cops see to it.
SERGENT OLSEN
We made a sale and that is all, right?
SERGENT PEDERSEN
We manufactured the rifle, sold it and
Belarus found it inside a burned
truck. That is all. Good day
Gentleman.
They walk out.
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7. DRØBAK TAVERN - EVENING.
Camilo and Roger sip coffee. Camilo’s face is healing. A
stunning young woman approaches, eyeing Camilo’s bruises.
THEA
I won’t ask unless you tell me. And
yes, I look stunning.
She waves to the barman.
THEA
Tequila shots.
Thea shrugs off her coat, even more stunning now.
ROGER
Wow, don't stop.
The barman brings the drinks.
THEA
Got bored and went back to Miraflores.
ROGER
The guy you were trailing?
THEA
Done. Got paid. Left.
She hands Camilo a microSD. Roger downs one of her shots.
ROGER
What's on it?
THEA
Your instincts were right. Dumpster
guy? Planned. And a 59-year-old kidney
patient from Bergen. Dead now.
ROGER
Weird coincidence. You buy a house in
Koppang, and the body ends up there.
THEA
There's another hacker in the mix.
The barman drops off empanadas.
THEA
Umm, empanadas. Sweet man. We must go.
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Tons to do.
ROGER
We?
THEA
Not you. Camilo come on. Let's go.
She takes a bite, eyes Camilo. Pulls a lotion from her bag.
THEA
Here it'll cover them nicely.
CAMILO
Where?
THEA
I'll know when we are in the car.
CAMILO AND THEA
Later.
ROGER
Hope so.
They leave.
8. LAB EVIDENCE - HAMAR.
Virna informs the others of the preliminary details found in
the autopsy.
VIRNA MATEYS
So far, we've recovered three semen
samples from his hair, face, and
clothing. 12 inside his rectum. None
of which are in the system. The man
also suffered from late-onset MS.
D.P. KUNAQ
He was strangled, was he not?
VIRNA MATEYS
Autoerotic asphyxia. Sadistic and
masochistic interaction makes it hard
to determine the cause of death. I
cannot declare it murder or suicide.
MEYERS, ASSISTANT CHIEF.
What about the smell?
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VIRNA MATEYS
Air-jet fluid. SC-1 plus, ozone (O3),
and water. Perhaps someone tried to
clean him or, the surface where he
died before dumping it.
Eltoft walks in.
OFFICER ELTOFT
Your dead man with the expensive
undies is Doctor Erik Vognild, 68,
head of the Dialysis and Renal
Research section at the Memorial
Bergen Hospital.
VIRNA MATEYS
What was he doing in Koppang?
OFFICER ELTOFT
There was a floater late last night in
the Leirvik area; his name is Pål
Nilsen, 47 and a dialysis nurse at
Memorial Bergen Hospital. These two
are co-workers. An MP is here. No
uniform.
MEYERS, ASSISTANT CHIEF
I bet it is our good looking chap in
the car.
D.P. KUNAQ
What about the scratches on the side
of his head?
VIRNA MATEYS
Back and side of his head. Postmortem.
Someone dragged him. The pressure
marks on the nipples, testicles, and
neck are premortem. Also his welts.
Kunaq takes a few seconds to think over her next reaction.
D.P. KUNAQ
OK. People. Are we looking for two
killers or one? Check finances,
relatives, social media, cell phones,
get creative. Daggy (Eltoft) look for
patients' complaints and search
gay/SMS clubs/events. Whatever your
imagination dictates. Why and who
dumped him in Koppang?
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Eltoft quick response to that.
OFFICER ELTOFT
The red lantern. That is Trondheim. A
night club. That is the last place he
spent his money.
D.P. KUNAQ
Good. Keep digging. Let's hear what
the MP with no uniform has to say. Oh,
and Meyers, look the part when you go
to The Red Lantern.
MEYERS, ASSISTANT CHIEF
Eh?
D.P. KUNAQ
Take Eltoft.
9. BERGEN HOSPITAL DIALYSIS SECTION - CITY OF BERGEN
An old woman sits on her spot and waits for treatment. She
turns on the TV. A nurse comes.
NURSE ELISABETH
Hi. Ellen, are we ready?
ELLEN
We? You're not the one hooked up to
needles for four hours. Shut up and
let me listen.
On the TV above her station, Chief Robert Heitz is on. They
listen to the TV as Ellen is being connected to the dialysis
machine.
ROBERT HEITZ, ASSISTANT CHIEF.
Please respect the victim's privacy
and hand over any graphic information
to the police right away. The
investigating team and our
pathologists thank you.
REPORTER 2 ON TV
When will you release the details
about the murders?
Heitz goes on.
ROBERT HEITZ, ASSISTANT CHIEF.
I hope I made myself clear. Any
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information published that may
aggravate the welfare of the families
involved or disrupt our investigation
will be handled accordingly. That is
all for now.
The Chief leaves as reporters throw questions left and right.
Back to Ellen on dialysis.
ELLEN
Ha! The cops don't know shit!
10. HAMAR POLICE COORDINATES & MP SOLDIER.
Police station. Eltoft walks into Chief Kunaq's office.
OFFICER ELTOFT
Here.
Eltoft hands her an internal affairs memo with a photo of a
girl.
OFFICER ELTOFT
The nurse's daughter. She is nine.
Kunaq looks at the file.
D.P. KUNAQ
These are coordinates.
OFFICER ELTOFT
Correct. That is near the Ekso River.
Eksinge Valley. The woman who found
the child is a music teacher, and her
husband a mathematician. That's how we
got coordinates.
D.P. KUNAQ
It says here she is autistic. How is
she of help?
OFFICER ELTOFT
They call it: Hearing sensitivity.
Here. A Rikard Johannesen, a kidney
transplant recipient from Bergen. The
article highlights Johannesen's very
generous donation for kidney research.
It connects Johannesen's to Dr. Erik
Vognild, then head of research.
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D.P. KUNAQ
How is a nurse connected to donation
money? Is that the reason why he got
shot? Did you check his finances?
OFFICER ELTOFT
Yes, nothing strange. He has a
brother-in-law in Switzerland. Now a
Camilo Conti sent several complaints
against Nilsen to the Bergen police.
Discrimination. The hospital filed a
complaint against Conti. He was then
living in Sandefjord. Apparently he
filmed the abuse during his dialysis
in Bergen. He made no comment and
there are not tapes.
D.P. KUNAQ
Where is he now?
OFFICER ELTOFT
Hold on to your boots. Koppang.
D.P. KUNAQ
Have Inland police pick him up.
OFFICER ELTOFT
Right away. You got a visitor.
D.P. KUNAQ
I know. Let him in.
Eltoft leaves her office. Sturla Evensen walks in Kunaq's
office.
D.P. KUNAQ
Sit. I take it you are not here on
behalf of the Military Police. You got
10 minutes.
The soldier plays clumsy and drops a thumb drive in a pen
holder. D.P. Kunaq ignores the action.
MP STURLA EVENSEN
That is right. I am no longer in
charge of Criminal Investigations.
D.P. KUNAQ
Why is the Military Police involved.
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MP STURLA EVENSEN
Nearly two weeks ago, Belarus reported
finding a Norwegian rifle inside a
transport truck that had been
destroyed by explosives.
D.P. KUNAQ
The Doctor wasn't shot.
MP STURLA EVENSEN
I know. A male nurse was. Belarus is
eager to escalate this situation. The
company truck "Horizon Haulers" made a
stop in Øverengsmoen. That's the
reason I'm here.
D.P. KUNAQ
Sounds personal. Why me?
MP STURLA EVENSEN
I have evidence.
Kunaq looks at the pen holder.
D.P. KUNAQ
Who are you looking for?
MP STURLA EVENSEN
They killed my brother. Whoever killed
the nurse knows who's behind these
murders. Virna Mateys is one of the
top forensic investigators in Norway.
D.P. KUNAQ
My guess is you are still pending a
relief for cause and your superiors
might be on their way up. This is when
you nip out the backway, Sir.
MP STURLA EVENSEN
Thank you for your time.
D.P. KUNAQ
Get out.
MP Evensen leaves. Kunaq's mind drifts. She then takes the
thumb drive and slips it into a small pocket in her boot.
11. SOCIAL OFFICE, BERGEN
Meyers speaks to the social worker. They are in her office.
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Rookie Larsen listens.
LINE OLDERHEIM
Are you familiar at all with the codes
of bereavement?
MEYERS, ASSISTANT CHIEF.
Yes, but we hope you can tell us what
you know.
LINE OLDERHEIM
You obviously don't follow the rules,
do you? I give you the same
information I gave the military
police. No-can-do.
ROOKIE OFFICER LARSEN
MPs?
LINE OLDERHEIM
Oh! Your rookie speaks.
ROOKIE OFFICER LARSEN
How do you know I'm a rookie?
LINE OLDERHEIM
The same way, I noticed that MP was on
a personal errand.
Meyers's phone rings.
MEYERS, ASSISTANT CHIEF.
Hold on.
LINE OLDERHEIM
Take it outside. This meeting is over.
I will also report your visit. Good
day.
Meyers is speechless. He walks out. The rookie follows.
ROOKIE OFFICER LARSEN
Good day, ma'am.
12. CHIEF KUNAQ'S OFFICE - KOPPANG
VIDEO FROM VIFÅR ON A LARGE SCREEN: A DRUNK GIRL PUKES OVER
THE PIER AND HER FRIEND RECORDS HER. THEY LAUGH UNTIL THEY
SEE THE DEAD FACE OF A MAN WITH RED HAIR FLOATING RIGHT UNDER
HER.
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D.P. KUNAQ
Are you watching this? It's national
news. Where are you?
MEYERS, ASSISTANT CHIEF.
(Office corridor) Social Worker.
Bergen. That MP Evensen is a flagged
soldier.
D.P. KUNAQ
I know about the soldier, but I need
you here ASAP.
MEYERS, ASSISTANT CHIEF
Right. I came this far I have to find
out about that boat.
Meyers hangs up.
D.P. KUNAQ
(Hangs up) Shit!
13.RENA HOTEL
Evensen feeds Lulu.
MP EVENSEN
Small portions Lulu. That's it. You
brave girl.
On the table, two evidence bags each containing a casing lie
in plain sight. His phone vibrates. Lulu's ears perk up,
alerting him—someone’s at the door. Without hesitation,
Evensen hides one evidence bag inside the hotel mattress, the
other in his crutch. He checks the phone:
“I am * . MPs at
His face remains expressionless. Calmly, he grabs
your door.”
Lulu’s police gear, dumps it in the trash, and covers it with
leftover food. A firm knock echoes through the room. Evensen
gives Lulu a reassuring pat, takes a steady breath, and opens
the door. Two MPs stand outside. His gaze is steady, his
posture relaxed.
MP POLICE OFFICERS
Sir. I'm sorry to disturb you but we
need your help.
MP EVENSEN
Am I being reinstated?
Lulu sits obediently by MP Evensen.
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MP POLICE OFFICERS
I don't know, Sir. We were told to
offer you a ride.
The soldiers are below Evensen's rank.
MP EVENSEN
I have my dog with me. I'll take my
car. You follow.
MP POLICE OFFICERS
Very well. Sir. One of us will sit
with you.
Evensen grabs his jacket, gathers the trash, then secures
Lulu’s leash. With the dog in tow, he heads out, calm and
steady. He dumps the garbage in a dumpster. Lulu stays by his
side, alert but quiet. He gets into his car. One MP soldier
joins him, the other follows in a second vehicle. Lulu
settles in the cage in the back. They drive off in formation.
Once they’re gone, Thea steps out of her car with a small
backpack. She walks by casually, then slips into Evensen’s
room. She pauses, scanning the room. The bed catches her
eye—the sheets are pulled in but not tucked under, not how a
motel maid would do it. Her gaze sharpens. She lifts the
mattress and finds the hidden casing. She pockets it,
glancing around once more before leaving, careful not to
disturb anything.
14. THE BOAT, BERGEN. EARLY MORNING.
By the lake, Meyers and the rookie stand at a distance,
watching in silence. A forensic transport vehicle pulls away,
the boat securely fastened to a trailer, disappearing from
view.
ROOKIE OFFICER LARSEN
No traces on my way up.
MEYERS, ASSISTANT CHIEF
She went uphill. Possibly the
coordinates are at the peak of those
mountains. She must've stopped.
They walk uphill.
ROOKIE OFFICER LARSEN
Look here. The print of a kid's bloody
shoe. (Larsen snaps a picture, takes a
sample).
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MEYERS, ASSISTANT CHIEF
Those hills are about 1000 to 1500
meters from here. Come on, I want to
hear you say it.
Rookie Larsen takes a photo.
ROOKIE OFFICER LARSEN
Is not a sniper until we have evidence
of it.
MEYERS, ASSISTANT CHIEF
(scuffs) We don’t have time for this.
The Chief’s gonna chew us up and spit
us out. We better move fast.
ROOKIE OFFICER LARSEN
Sir. No disrespect but I can climb
faster.
MEYERS, ASSISTANT CHIEF
Go for it. I'll follow.
15. HOME SWEET HOME - KOPPANG
Camilo gets to his driveway. Rushes upstairs. Wayne is
outside.
WAYNE
Remember me?
Camilo does not flinch.
CAMILO
Vaguely.
WAYNE
Can I come in?
Camilo looks around.
CAMILO
The police is looking for me.
Wayne looks around.
WAYNE
Look. I found these. 14 right? I just
want the files with me in them.
Camilo looks inside the bag. Small spy cameras.
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CAMILO
You're missing one. Come on in.
Wayne tosses on more on the kitchen table.
WAYNE
15 cameras. Quite the little set-up.
Did you know they were coming?
CAMILO
How do you know they are mine and not
theirs? Follow me.
Camilo walks upstairs, his steps steady, Wayne following
closely behind. Inside a walk-in closet, a door is hidden
behind a pile of clothes. Camilo opens it and enters a room
filled with three large computer screens. He sits at the
desk, plugging a USB drive into the computer. The DBAN screen
loads. He selects the option to wipe the hard drive and
confirms. The screen fills with text as the program begins
erasing everything. Camilo watches the progress bar move
slowly. A few moments later, the program finishes, displaying
“Process Complete.” He takes a deep breath. The job is done.
WAYNE
All gone?
CAMILO
How about the police?
Camilo takes off his shirt.
WAYNE
I don't care. I'll take these and I'll
find you.
CAMILO
Looking forward.
Wayne lands a kiss on Camilo's lips. He then picks up all the
small cameras and leaves. Camilo is unshaken.
16. WIDOW IN BLACK - OSLO
Delia Hagen walks into a tattoo parlor. The man looks at the
elegant woman.
FRONT DESK MAN
How can I help?
She shows the Othala Rune tattoo behind her ring finger.
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FRONT DESK MAN
So what do you want?
DELIA HAGEN
Some color in it would be fine.
FRONT DESK MAN
Cover it with an Aztec.
DELIA HAGEN
Perfect. I expect your best creative
work.
FRONT DESK MAN
Come on in.
They walk behind a curtain.
TO BE CONTINUED...
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EPISODE 2
_________
17. HOUSE SITTING
FADE IN:
INT. HOUSE - NIGHT
The door swings open. CAMILO stands in the doorway, covered
in blood, his face is bruised and cut. His shirt clings to
his skin, damp with blood. A faint metallic scent lingers in
the air. Camilo turns around and a large man almost dead
moves toward a gun under the sofa. Camilo walks slow to the
kitchen and grabs a knife. The man is too frail to move any
faster. Camilo stands above him and when the man grabs the
gun by the handle Camilo slits his throat. Camilo cleans the
knife with the man's blue t-shirt.
LIAM (DRIVING)
Then what?
CAMILO
I could smell the weed. He was
upstairs.
FLASHBACK:
INT. HOUSE - EARLIER THAT NIGHT
Camilo moves with precision. He stalks his target, a towering
figure, the tall man packs all he can in his jacket and a
purse. He smokes a joint.
CAMILO
I had rather you fucked me first.
The man is startled for a small second. Then moves by a
banister. He is a rough good looking man with an Eastern
European accent.
THIEVE
Oi! ha ha. I really dig cuntboys.
There is something really hot about a
boy with a cunt.
Camilo gives no warning and shoots him between the eyebrows.
Blood sprays. The man's body collapses with a final, gurgled
breath.
The man is so big that he stumbles backward, crashing through
the banister. The wood gives way with a loud crack, sending
22.
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him toppling over the edge. He plummets, landing with a
sickening thud on a deck by the pool, his body sprawled out,
lifeless.
FLASHBACK ENDS.
CAMILO
Then I called you.
LIAM
It was a foreign number. You were
lucky I picked up. Do you still have
the phone?
CAMILO
Here. (Camilo gives Liam the phone)
there is a list. I burned the SIM
card.
LIAM
Good.
CAMILO
Have your guy look at it.
LIAM
No, I'll get rid of it.
They drive through a beautiful Norwegian landscape.